It’s summer time and the cicadas won’t shut up! Well, let ‘em sing! It so happens that I’m feeling a little like singing myself: I had a blast driving and flying around the country to meet so many wonderful readers and booksellers, and now Double Feature has been sent into a 2nd printing. Thank you to all of you who came out, to all of you who bought the book or took it out from the library. I am so grateful.

While I was out and about I had the opportunity to participate in some unusually fun interviews. If you’re curious, here’s one I did with Brad Listi and here’s one I did with NPR.

Well, now it’s time for me to retreat to the cave and turn my attention to some other projects. Hopefully there will be some news about all that in the near future. Meanwhile, look below for an evolving schedule of events that I’m taking part in this fall and winter. Please check back for updates and more details!

9/8/13 – New York City, KGB Bar reading with Kelly Braffet, author of Save Yourself, and Lauren Grodstein, author of The Explanation for Everything
9/24/13 – New York City, 730 PM at Lynch Theater, John Jay College reading and conversation w/Stephen King to benefit NYC Schools/KidsRead
10/19/13 – Omaha, NE, Omaha Lit Fest (featuring Kelly Braffet, Alissa Nutting, and many others)
10/24/13 – Toronto, Ontario, 8 PM at the Fleck Dance Theatre at Harbourfront Centre in Conversation w/Stephen King (moderated by Andrew Pyper, author of The Demonologist)
12/10/13 – Falmouth, ME, 6-8 PM at the Falmouth Memorial Library
4/5/13 – Woodstock, NY, The Woodstock Writers Festival at 34 Tinker St., Fiction Writers Panel (with Kelly Braffet, author of Save Yourself, Jayne Anne Phillips author of Quiet Dell, and Pamela Erens author of The Virgins)

Last of all, if you’d like to order a signed/personalized copy of Double Feature, feel free to contact my friends at Inquiring Minds, and we’ll get it done.


P.S. Here’s a synopsis of Double Feature:

“An epic debut novel about a young man coming to terms with his life in the process and aftermath of making his first film—from critically acclaimed short story writer Owen King—for readers of Joshua Ferris, Sam Lipsyte, and Chad Harbach.

Filmmaker Sam Dolan has a difficult relationship with his father, B-movie actor Booth Dolan—a boisterous, opinionated, lying lothario whose screen legacy falls somewhere between cult hero and pathetic. Allie, Sam’s dearly departed mother, was a woman whose only fault, in Sam’s eyes, was her eternal affection for his father. Also included in the cast of indelible characters: a precocious, frequently violent half-sister; a conspiracy-theorist second wife; an Internet-famous roommate; a family friend and contractor who can’t stop expanding his house; a happy-go-lucky college girlfriend and her husband, a retired Yankees catcher; the morose producer of a true crime show; and a slouching indie film legend. Not to mention a tragic sex monster.

Unraveling the tumultuous, decades-spanning story of the Dolan family’s friends, lovers, and adversaries, Double Feature is about letting go of everything—regret, resentment, ambition, dignity, moving pictures, the dead—and taking it again from the top. Combining propulsive storytelling and mordant wit against the backdrop of indie filmmaking, Double Feature brims with a deep understanding of the trials of ambition and art, of relationships and life, and of our attempts to survive it all.”

And here are what a few incredibly kind writers and reviewers have said about it:

“Double Feature is a beautiful, wrenching beginning, and Owen King is a young writer of immense promise.” – Larry McMurtry

“[Double Feature]… is epic, ambitious, and dedicated to the uncontainable… [King] has a captivating energy, a precision and a fondness for people that are rare…” – David Thomson, The New York Times Book Review 4/7/13

Superbly imagined lit-fic about family, fathers and film.” – Kirkus

“What a kinetic, joyful, gonzo ride–Double Feature made me laugh so loudly on a plane that I had to describe the plot of Sam’s Spruce Moose of a debut film (it stars a satyr) to my seatmate by way of explanation. Booth and Sam are an unforgettable Oedipal duo. A book that delivers walloping pleasures to its lucky readers.” – Karen Russell, author of Swamplandia!

“I didn’t believe the species existed any more: a fun, goodhearted and readable to the point of being addictive epic, contemporary novel. To delve this smoothly into the film world, art, this winningly into the complex mess between sons and fathers, this compassionately into life after a man has taken his shot and is no longer the talented, bright-eyed prodigy… it just doesn’t happen. Owen King is some kind of impressive novelist, and Double Feature is a goddamn unicorn.” — Charles Bock, author of Beautiful Children

“Set in a world of B-movie actors and enthusiasts, King’s first novel, about facing reality and failed aspirations, is irreverent and ambitious. Its sweeping scope covers several generations in a humorous and cynical narrative that bounces between decades. Entertaining and thought-provoking, this captivating look at the ongoing process of becoming an adult will especially appeal to fans of the indie film industry.” – Booklist

“Owen King shows incredible heart, humor and structural mastery in his debut novel. Double Feature, as the title might suggest, has both glorious comic sweep and poignant intimacy.” – Sam Lipsyte, author of The Ask

“Owen King has a generous heart and a devious mind; there’s no other possibility that would explain the ways this novel turns from the beautiful and the true right into the bizarre and hilarious. Tackling the act of creation (parents and children, artists and art), King writes with such assurance that the only option for me, once I finished this epic tale, was to start over and hope to experience it anew.” — Kevin Wilson, author of The Family Fang and Tunneling to the Center of the Earth

“King’s prose is artful, perceptive about people and their ‘warrens of self that go beyond understanding’ – Publisher’s Weekly

“Sharp, hilarious, and irreverent, Double Feature is not only a love-letter to cinema, but also a moving exploration of what it means to be an artist. This novel is brilliant, and Owen King is a magician.” – Lauren Groff, author of Arcadia

“… [A] darkly humorous and often heartfelt work that’s part ode to low-budget movies, part family drama and part screwball comedy with a slew of oddball characters…” — Brian Truitt, USA Today, 3/22/13

“Owen King’s Double Feature is an ingeniously structured novel about fathers and sons, good art and bad art, success and failure, fight or flight. It manages both to redeem and condemn the overconfidence of youth, and introduces us to a wonderfully, tragically lovable cast of characters. This is terrific book.” — Tom Bissell, author of God Lives in St. Petersburg and Magic Hours

“Double Feature constantly walks the line between tragedy and comedy, between love and loathing, between friendship and strained codependency, between art and what’s only posing as art. Stories that attempt such delicate thematic juggling can become mired in the muck of their own intellectual ambition. King overcomes this with witty and tightly paced prose, and the novel breezes by in spite of (and even because of) its depth.” — Matthew Jackson, BookPage, 4/13

“Dear Reader: With this amazing tour de force, Owen King has more than lived up to the great promise of his debut collection. You will fallin love with Booth Dolan (just try not to) even as you’re giving thanks he’s not your father. This is a big, generous American novel from a dazzling novelist I’ll be watching for years.” — Tom Franklin, author of Crooked Letter, Crooked Letter

The literary and the popular can coexist. Double Feature makes this point, and proves it too.” — Brian Gresko, The Rumpus 7/2/13

“I liked [Double Feature] so much that it sort of pisses me off – the fact that Owen King, who is something like 142 years younger than I am, is such a skilled, imaginative and complete writer. This is a well-wrought and thoroughly satisfying novel, which manages, at the same time, to be both moving and – this is what pisses me off the most – very funny.” — Dave Barry, author of Insane City